聚焦与失焦：罗伯特·卡帕回顾展

周六下午人不多观展效果不错,顺序从一楼开始再到地下,弱弱地在想若Capa不是生在战乱年代或许一辈子会是个优秀但不出名的摄影记者. 简介说得对,Capa的战争作品多展示的是还原人性的,多是幸存者而不是遇难者. 语录※It is not alwasys easy to stand aside and be unable to do anything except recording the sufferings around one. ※Like the people you shoot and let them know. ※if your pictures aren't good enough, you aren't close enough. ※No tricks are neccessary to take pictures in Spain, you don't have to pose your camera, the pictures are there, and you just take them. ※The truth is the best picture, the best propaganda. ※The war correspondent has his stake - his life - in his own hands, and he can put it on this horse or that horse, or he can put it back in his pocket at the very last minute. ※The war photographer's most fervent wish is for unemployment.

就在校门口的展览怎么也得去看看。 马格南系列展之一，记载了罗伯特大师在不同时期的作品以及就其摄影思想而言某种程度上的演变。战地摄影师的工作是令人难以想象的，值得敬畏。就摄影作品而言，对于普通人来说，观看的过程像是得到了一次精神上的升华，从摄影作品中观察人们的喜怒哀乐。 印象最深刻的是一张雪地里打着雪仗的孩童，摄于中国。 印象最深刻的两句话：“如果你拍的不够好，那是因为你离得不够近”“战地摄影师最大的愿望是失业”。

观赏氛围很好，作品很有时代行o(〃'▽'〃)o